Sotirios Sinos

Asya Birsel and Robert Selim Hill The all-wind gravedigger “Well… the sea does what it wants. They may have all died together, on the same day or night, but the sea probably spat them out in disorder… The sea is like that…You know, my problem is plastic sheeting… I never have enough for all the corpses…”from an interview…

Morph Words that will never be saidEchoes of a soulInevitable FateWhat needs to come to lightThe time has comeA costructive deconstructionRuinsRemainsLeftovers, what left is overWhat left behindUnloadingI am not who I was beforeWhere I was, before I come hereWhat never wasMy broken trust and my stubborn heartA hoveringAn exodus from the vertical axisA fallA recoveryThe…

Mrs. Holle Just Left the Building

Languida The audience is invited into a hypnagogic sci-lab, where the elegance of discarded materials is staged. They perform as embryonic creatures. I encountered the performative nature of matter in found objects, seeking to question the anthropocentric gaze of fruition. Collective dreams are released in an intimate space where the spectator’s usually peremptory gaze reformulates,…

The Dinner In the moment that society consumes everything at a fast pace, with less and less thinking and feeling, humans have become products. This cannibalistic dinner, is an allegory, about the form that human relationships have taken in the developed world.

Authentic The first photo with the golden frame around the overgrown tree on the concrete, is a hymn to Nature and expresses the need to protect it, recognizing its authenticity and value.  Placing the frame around the element of nature symbolizes our distance from it as an experience while showing that we are now approaching it,…