The Dinner
In the moment that society consumes everything at a fast pace, with less and less thinking and feeling, humans have become products. This cannibalistic dinner, is an allegory, about the form that human relationships have taken in the developed world.
In the dim silence of an abandoned building, The Visitors emerge through augmented reality, fragmented sculptures floating where walls once held memory. Their forms, stitched from digital echoes and recycled matter, shimmer against the cracked concrete, observing without eyes. As you move through the space, their presence shifts with you, not haunting, but remembering. https://openar.art/a/7v7CsgLRGqffJt03…
Empowering Raw Collaboration Yorgos is not an artist. He participated in the Super Sport «Ψυγεία Ψηλορείτης» project by exploring autonomous, horizontal, and non-commercial fundraising and crowdfunding strategies. Their work is focused on securing resources to support this event and future music and art projects, fostering a community-driven and collaborative spirit.
Asya Birsel and Robert Selim Hill The all-wind gravedigger “Well… the sea does what it wants. They may have all died together, on the same day or night, but the sea probably spat them out in disorder… The sea is like that…You know, my problem is plastic sheeting… I never have enough for all the corpses…”from an interview…
Mrs. Holle Just Left the Building
RECLINING POSITION/ANTIFA NATURE Public space is a battlefield of ideas, bodies, images, meanings and identities. As this framework is increasingly structured in a suffocating way, observation and intervention in cases of fascist references becomes the minimum gesture against the darkness of Nazism. In the abandoned building of Psiloritis, the signs of hatred – swastikas, nationalist…
(amvrosios gousgounis) ο λ(ο)υομενος – the bather installation I staged a brittle bather on a concrete beach that only exists in code.Nothing holds—yet it stands.
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