Katerina Botsari

The imposing carcass of the “Ψυγεία ο Ψηλορείτης” building, next to Kifissos, played a decisive role for the project of the SuperSport#3 initiative. The way I chose to intervene in the space with the installation After is through DIY construction and tactile mediation. My intention to reproduce the very thin metal serpentine that is industrially produced in a handmade rough-hewn way is the core of this in situ work that changes form and content depending on the natural light and weather conditions. The intention of the work is to stage an ephemeral event that preceded while we are present in its aftermath. What reflects the morning light on the floor returns like a rhythmic shiver to the surrounding walls, but with the arrival of rain and the wind that enters unhindered through the uncovered openings, the accumulation of material changes form and acquires a heavy undulation that pretends to be its organic matter. 

After, 2024, metal plastic sheet

Similar Posts

  • We met at midday

    and we headed away from the metro into narrower streets when we took a turn around the corner to the old bus station. The area was a wreck. We took some photos with our phones, spoke about gentrification, lack of government funding for artists and exhibitions we had been to that week. Through the open…

  • Furniture Factory

    Participating artists: Adrien Chevrier, Andrés Montes, Anna Tsouloufi-Lagiou, Archeology Club of Amateur Artists (ΑCoAA): Giorgos Gerontides, Katerina Dania, Alkistis Mavrokefalou, Dimosthenis Mpogiatzis, Yiannis Katinopoulos, Beatrice Mar, Chernobello , Christos Noulas, Clémence Malleret, Dimitris Ameladiotis, Eirini Roumeliotaki, Eirini Tambasouli, Elena Demetria Chantzis, Eva Koliopantou, feeleash, Giorgos Efthimiou, Hristos Hatzis, Ingmar Riswick, Iro Sofoulaki, Jana Linke, Javier…

  • Matt Wardell

    The room invites you with ample seating. Images are pasted over a history of graphical expressions: a panda, Norman Fell (again and again), lewd papayas, Don Knotts (too much, but why resist?), a monkey wearing a cowboy hat, chihuahuas, more lewd papayas, eggs, eggs, eggs (what a luxury!!). In the frame of a window: a…

  • Iliana Natsou

    The Dinner In the moment that society consumes everything at a fast pace, with less and less thinking and feeling, humans have become products. This cannibalistic dinner, is an allegory, about the form that human relationships have taken in the developed world.

  • Yorgos Biris

    Empowering Raw Collaboration Yorgos is not an artist. He participated in the Super Sport «Ψυγεία Ψηλορείτης» project by exploring autonomous, horizontal, and non-commercial fundraising and crowdfunding strategies. Their work is focused on securing resources to support this event and future music and art projects, fostering a community-driven and collaborative spirit.