Mindaugas Gapševičius

Artificial Jellyfish

Artificial Jellyfish is a series of objects designed to drift in the
water or sit elsewhere on the ground. The chosen design references on
one hand a poignant symbol of the beauty and fragility of our oceans and
on the other reminds us of plastic contaminants. While drifting in
waters or sitting elsewhere on the ground, the jellyfish narrates the
profound impact of global warming and ecological degradation on our
planet. By harnessing the power of solar cells, these artificial
jellyfish continuously capture photos or sense other environmental
parameters in real-time, offering viewers a glimpse into the beauty and
vulnerability of our planet.

Similar Posts

  • Karl Heinz Jeron

    In the dim silence of an abandoned building, The Visitors emerge through augmented reality, fragmented sculptures floating where walls once held memory. Their forms, stitched from digital echoes and recycled matter, shimmer against the cracked concrete, observing without eyes. As you move through the space, their presence shifts with you, not haunting, but remembering. https://openar.art/a/7v7CsgLRGqffJt03…

  • Yorgos Biris

    Empowering Raw Collaboration Yorgos is not an artist. He participated in the Super Sport «Ψυγεία Ψηλορείτης» project by exploring autonomous, horizontal, and non-commercial fundraising and crowdfunding strategies. Their work is focused on securing resources to support this event and future music and art projects, fostering a community-driven and collaborative spirit.

  • redtape servant

    RECLINING POSITION/ANTIFA NATURE Public space is a battlefield of ideas, bodies, images, meanings and identities. As this framework is increasingly structured in a suffocating way, observation and intervention in cases of fascist references becomes the minimum gesture against the darkness of Nazism. In the abandoned building of Psiloritis, the signs of hatred – swastikas, nationalist…

  • Nikos Branidis, Tim Goodwyn, Kala Mari, Billy MacKinnon, Mikeda, Luis Karl Börje

    Nikos Branidis My contribution: a sound performance rehearsal, a garland garnishing that monster of a building, a reading of a poem, Heidegger’s eggs, written by Lennox Raphael, who I met in 2021 in an art festival in Copenhagen and one more of one my many own untitled poems. Two days and two nights in that…

  • Ian Joyce

    XING PI an installation and performance As sun sets, a prison-like room I am allocated to, is aglow in growing darkness: pieces of tinsel paper, (I brought with me) scratched, folded and un-folded and a lamp – improvised from a water bottle – irradiates light in a rhythmic circulation which I accompany with an aural…

One Comment

Comments are closed.