Elisavet. K

Authentic The first photo with the golden frame around the overgrown tree on the concrete, is a hymn to Nature and expresses the need to protect it, recognizing its authenticity and value.

 Placing the frame around the element of nature symbolizes our distance from it as an experience while showing that we are now approaching it, from a distance, without touching, as we would if we were looking at a work of art in a museum.

Weaving The second work made of paper strips that I found in the space, symbolizes human relationships and the weaving of the lives of different people who live and work in the same environment just as it happened with the team members who coexisted for a while and worked together for the needs of the project.

Similar Posts

  • ΨΟΨ

    Super Sport 3 happened at Ψυγεία Ο Ψηλορείτης on 16 NOV 2024. A once-functioning company, wedged along the northern artery into the capital—right where Metamorfosi meets Nea Filadelfia. They specialized in refrigerated storage. Cold vaults meant to preserve product. What’s left now? Debt and ash.

  • Xaris Baskozos

    Metallic tree planting, revenge of the iron beam. I decided to plant metallic trees with some iron beams i had taken from a demolished building, in this way i wanted to manifest the “revenge of the iron beams”. Instead of the iron to be used as a structure material, it will be presenting itself like…

  • Furniture Factory

    Participating artists: Adrien Chevrier, Andrés Montes, Anna Tsouloufi-Lagiou, Archeology Club of Amateur Artists (ΑCoAA): Giorgos Gerontides, Katerina Dania, Alkistis Mavrokefalou, Dimosthenis Mpogiatzis, Yiannis Katinopoulos, Beatrice Mar, Chernobello , Christos Noulas, Clémence Malleret, Dimitris Ameladiotis, Eirini Roumeliotaki, Eirini Tambasouli, Elena Demetria Chantzis, Eva Koliopantou, feeleash, Giorgos Efthimiou, Hristos Hatzis, Ingmar Riswick, Iro Sofoulaki, Jana Linke, Javier…

  • Katerina Botsari

    The imposing carcass of the “Ψυγεία ο Ψηλορείτης” building, next to Kifissos, played a decisive role for the project of the SuperSport#3 initiative. The way I chose to intervene in the space with the installation After is through DIY construction and tactile mediation. My intention to reproduce the very thin metal serpentine that is industrially…