Soffia & Grec
Bambambam
There is no Country but childhood’s (R. Barthes)
A theatrical performance between tenderness and morbidity.
Are we ever truly innocent?
A conversation between our inner space and the very special space of this abandoned factory.
This special space, a huge room without windows, became part of the performance.
The sound had an intense reverberation giving its own timbre, and we had the opportunity to work visually with light and shadow. The visual element interacted with the theatrical.
The reappropriation of public space as a social space and as a place for managing memory is a direct involvement in its political management.
Space is a social construction that is directly related to the understanding of different stories, individual and collective, of people and the production of cultural phenomena.
