Gandom Akbari

Asya Birsel and Robert Selim Hill The all-wind gravedigger “Well… the sea does what it wants. They may have all died together, on the same day or night, but the sea probably spat them out in disorder… The sea is like that…You know, my problem is plastic sheeting… I never have enough for all the corpses…”from an interview…

Bambambam There is no Country but childhood’s (R. Barthes) A theatrical performance between tenderness and morbidity. Are we ever truly innocent? A conversation between our inner space and the very special space of this abandoned factory. This special space, a huge room without windows, became part of the performance. The sound had an intense reverberation…

The imposing carcass of the “Ψυγεία ο Ψηλορείτης” building, next to Kifissos, played a decisive role for the project of the SuperSport#3 initiative. The way I chose to intervene in the space with the installation After is through DIY construction and tactile mediation. My intention to reproduce the very thin metal serpentine that is industrially…

In the dim silence of an abandoned building, The Visitors emerge through augmented reality, fragmented sculptures floating where walls once held memory. Their forms, stitched from digital echoes and recycled matter, shimmer against the cracked concrete, observing without eyes. As you move through the space, their presence shifts with you, not haunting, but remembering. https://openar.art/a/7v7CsgLRGqffJt03…